Jane Austen at Home Fabric: Riley Blake Quilting Cotton - Fanny Floral Print
????Jane at Home Fabric Collection – Riley Blake Designs for Jane Austen’s House
Surround yourself with the quiet beauty and refined charm of Jane at Home, the newest fabric collection from Riley Blake Designs in collaboration with Jane Austen’s House. Inspired by the everyday elegance of Austen’s life in Chawton Cottage, this collection celebrates her legacy not only as a writer but as a woman of grace, wit, and timeless taste.
????????Each print is a delicate nod to Regency-era florals, graceful patterns, and refined color palettes, perfect for quilting, historical-inspired projects, home décor, and heirloom sewing. Jane Austen at Home Fanny--Item Number: C10014-FANNY/UPC Code: 889333174356
????????????With delicate florals, muted tones, and motifs drawn from the architecture and interiors of her beloved home, Jane at Home invites you to sew with the spirit of Regency England in every stitch.
???? Collection Features:
Officially licensed in partnership with Jane Austen’s House
Inspired by Jane’s life, home, and enduring creativity
Soft, calming color palette: blush, chamomile, slate, and ivory
????????????Graceful florals, period-style coordinates, and subtle text prints
????????Premium quilting cotton – 100% cotton, 43"/44" wide
??????????Available in yardage, fat quarters, 1/4 Yard, 1/2 yard and yard cuts. Please specify your amount when ordering.
????Fabric will be cut in a continuous length; the longest length available from the manufacturer is typically 15 yards.
???? Collection Features:
????Officially licensed collaboration with Jane Austen’s House
????Designs inspired by Jane Austen and her iconic novels
????Soft pastels, elegant florals, and charming coordinates
????Premium quilting cotton – 100% cotton, 43"/44" wide
???? Add to your cart today and stitch your way through a literary celebration!
???? Whether you're a dedicated Austenite or simply love timeless, literary-inspired fabric, the Jane Austen at Home collection brings a touch of period elegance to your sewing room.
????Pair with coordinating Riley Blake notions or use it for your next quilt, book sleeve, apron, or dress project!
??????????Series of quilt kits: Jane Austen Coverlet Quilt, Pride and Prejudice, Barton Cottage (Sense and Sensibility), Mansfield Park, and now Emma.
In addition to the beautiful Jane Austen at Home Collection, we are also celebrating the 250 Anniversary of Jane Austen in 2025 with stunning commemorative notions and finished goods, and an exquisite BOM Anniversary Quilt designed my Lori Holt of Bee in my Bonnet. Join us as we celebrate this beloved author, musician, and quilter.
Riley Blake Designs is honored to be the exclusive licensor for Jane Austen’s House exclusive fabric, notions, and finished goods. To learn more about the Jane Austen House, visit our website rileyblakedesigns.com/jane-austen
????Purchase the 250th Anniversary Quilt Kit Here: https://www.etsy.com/listing/4315078154/new-jane-austens-250th-anniversary-bom
???????????? Ideal For:
????Heirloom quilts, vintage-style garments, and refined home décor
????Journals, pillows, book bags, and gifts for Austen lovers
????????????Pairing with Pride & Prejudice, Emma, Mansfield Park and Sense & Sensibility collections
????Whether you're a devoted Austenite or simply love the romantic charm of English country style, the ????Jane at Home collection brings a touch of historical elegance to your next creative project.
? Don’t forget to browse our Jane Austen-inspired quilt kits, Sew Simple Shapes, and coordinating notions!
????????About the Line:
Jane Austen's House is in the charming village of Chawton, Hampshire, U.K. It is the place where Jane wrote and revised all of her published Novels, and is visited by over 40,000 people each year, from all over the world. The house contains items that belonged to Jane including her writing table and her ring.
One of the most popular exhibits is the one made by Jane and her sister, Cassandra and their Mother. Strictly, it is not a quilt, but a coverlet as there is no layer of wadding, simply a patchwork top with a cotton batting. It is a medallion quilt measuring 91 inches by 105 inches with a large central motif of chintz cut as a diamond. This is surrounded by a central panel of 232 smaller diamonds interconnected by spotted sashing. The outer edge 11 inches deep, is composed of tiny diamonds, each with edges of 30mm. There are over 2,500 of these smaller diamonds withing the border. All the patches are joined by very fine whip stich--there are approximately 12 stitches per inch, which is quite remarkable given the lighting conditions of the period.
The fabrics used in the central panel are block printed dress weight fabrics and are arranged in rows of darker and lighter. Those in the outer edge are a mix of block and roller printed material and include both dress and furnishing fabrics. There are many remarkable things about this quilt, aside from the fact that it was stitched by one of the world's favourite authors. The central panel of diamonds shows fourfold symmetry in their placement and the tiny diamonds in the outer edge are also place symmetrically with top and bottom and left and right sides matching. There is also extensive use of fussy cutting in the diamonds. This was a very carefully planned quilt. The diamonds are 70 degree and 110 degree angles, which is very unusual, and the sashing joining the central diamonds is composed of short pieces, rather than continuous lengths--perhaps fabric left from a previous project? We have not found another quilt like this anywhere, it is truly a unique piece (although there are rumors of other quilts made by the Austen ladies, and this was clearly not the first quilt they had made in terms of the quality of the design).
We do not know the exact date of this quilt, but do know that the Austens were working on a quilt in May of 1811, as Jane wrote in a letter to her sister Cassandra, "Have you remembered to collect pieces for the patchwork-we are at a standstill". Cassandra was staying with her brother Edward on his estate in Kent, where there would have been many fabric pieces available from the dressmaker who made clothes for his eleven children.